Caryl Churchill's "Love and Information" at first glance may appear to be about everything. The breakneck speed at which scenes alternate between slicing chicken brains, watching far-off (maybe long dead) stars, walking through a house made of memories, falling in love with a virtual person, and answering non-sequitur trivia questions, potentially feels like a scattershot collage without purpose. However, like all collage as an art form, through careful juxtaposition Churchill orchestrates a symphonic whole of questions and answers, emotions and logic, and “Love and Information”. The power in Churchill’s piece lies not in her universal understanding of the, albeit evocative, nouns of love and information but in her understanding of communication. This play examines human beings with three basic tools for survival: our emotions, our logic, and our communication to bring the other two together. Furthermore, exploring the reactionary synapse that fires when we get, give, lose, hate, and love information. This piece encapsulates all the ways that humans communicate whether that be talking, texting, lying, semaphore, TikToking, writing, sending gifs, or even morse code, and by understanding humanity in this limitless way, Churchill, ThreePenny, and this piece expand on the ways communication from all over our modern world fails, twists, exacerbates, excites, comforts, challenges, destroys, and maybe, even, heals.